The awards season has started in full swing, and the weekend saw Bollywood step out in style for the 26th Star Screen Awards.
Cinematographer Karm Chawla talks about his experience of shooting Ulidavaru Kandanthe.
For all the glitz and glamour, politically and socially aware emphasis on representation and support for Ukraine, the 94th Annual Academy Awards was largely a bore.
'Dune deserves all the raves it has been getting.'
The shortcomings are too many to overlook, but November Story is definitely a one-time watch, says Prateek Sur.
The second edition of the Critics Choice Shorts and Series Awards honoured short films and Web series, and was held on a grand scale at the Taj Hotel in Santa Cruz, north west Mumbai.
The cinematographer talks about his experience of shooting Barfi!
'I always feel that to shake up human beings, you have to go a little extreme.'
The 66th Vimal Elaichi Filmfare Awards were held in Mumbai on March 27.
Priyanka Chopra and Nick Jonas announced the Academy Awards nominations.
To be able to bid farewell to Daniel Craig is an emotion all fans of the Bond franchise must experience, feels Aseem Chhabra.
Vidyut Jammwal's latest offering Khuda Haafiz is neither entertaining nor high on action, feels Namrata Thakker.
Bollywood took to the stage quite glamorously at IIFA Rocks, the event that kick-started the 20th edition of IIFA.
'T-Series is doing 40 films and I am doing only one. There lies the answer.'
Irrfan Khan spent most of his years in the spotlight, making wonderful movies and memories for us.
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'The show's success has only gone on to reinforce my belief that the best way to tell a story is with honesty, love and conviction... easier said than done in our industry!'
As the film celebrates five years of release, 10 interesting facts about S S Rajamouli's fantasy.
Subhash K Jha applauds the Oscars for Anthony Hopkins and Frances McDormand.
At 70 minutes long, London Confidential is a crisp watch, notes Joginder Tuteja.
Ashutosh Gowariker seems too inspired by Sanjay Leela Bhansali's way of making period films, feels Namrata Thakker.
The Satyajit Ray Film & Television Institute, Kolkata invites applications for admission to the three-year postgraduate diploma course (full-time) for the session 2008-2011.
'Somewhere, I have to be true to myself. At this point in life, I am more interested in human drama.'
'Daniel Craig was my first choice but he requested if we could allow some time as he was also being considered to be the next James Bond.'
'Undekhi sends chills down your spine,' notes Moumita Bhattacharjee.
Penguin falters because it starts losing steam at the most crucial juncture -- the last 20 minutes, notes Joginder Tuteja.
An epic love story, applauds Namrata Thakker, amidst tragedy with stunning visuals and impressive performances!
Anurag Kashyap's classic Black Friday is a must watch film.
Aseem Chhabra lists his favourite Indian films of 2021.
'Mrinal jethu gave a new perspective to Indian Cinema.'
The Bharatiya Janata Party and the Congress have launched their theme songs for the election campaign which presented a picture in contrast: while the BJP had its "Modi-versus-All" pitch with more than a dash of hyper nationalism, the Congress focused on political economy with basic minimum income and justice for all. As the campaigning heats up, here's how both the parties stacked up -- musically.
A well-written screenplay, brilliantly executed, with clever music, stunning cinematography, and, above all, the hugely talented Kamal Haasan, make Jeethu Joseph's Papanasam a must watch.
'This 100-minute film just doesn't entertain you for even 10 minutes,' complains Joginder Tuteja.
Despite being predictable and sluggish at some places, Saina seems like something Parineeti Chopra would be proud of, notes Prateek Sur.
The film is scheduled to release next month.
Here's what your favourite Bollywood celebrities are tweeting.
Director P Ramesh talks about his journey as a short filmmaker to the success of his debut film Thegidi.
Director Pia Sukanya's effort is sincere, but it's not enough to create the madness required in such films, feels Ramesh S.
Aseem Chhabra lists his favourite films, most of them shown at international film festivals held virtually (Berlinale and Rotterdam), hybrid (Toronto) or physical (Cannes and Venice).
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